 {"id":1642,"date":"2015-07-20T13:40:43","date_gmt":"2015-07-20T12:40:43","guid":{"rendered":"https:\/\/www.gautier-deblonde.com\/?page_id=1642"},"modified":"2015-07-27T15:34:34","modified_gmt":"2015-07-27T14:34:34","slug":"essays-press","status":"publish","type":"page","link":"https:\/\/www.gautier-deblonde.com\/?page_id=1642","title":{"rendered":"Essays &#038; Press"},"content":{"rendered":"<h1>Essays &amp; Press<\/h1>\n<p><strong>2015<\/strong><\/p>\n<p>Alain Weis. \u00ab\u00a0L&rsquo;Art de l&rsquo;Atelier\u00a0\u00bb. French.<br \/>\n<a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Alain-Weis_LArt-de-lAtelier_French_2015.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Catherine Bruno, Ve\u0301ronique Sidoit-De\u0301ment. Refoulement Psychanalyse<br \/>\n<a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Psychanalyse.pdf\">View<\/a><\/p>\n<p>Russian Esquire.<br \/>\n<a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Russian-Esquire.-2015.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Artisticly<br \/>\n<a href=\"http:\/\/artisticlyyours.blogspot.fr\">Website<\/a><\/p>\n<p>Narthex<br \/>\n<a href=\"http:\/\/www.narthex.fr\/portraits-dartistes\/entretien-avec-le-photographe-et-realisateur-gautier-deblonde\">Website<\/a><\/p>\n<p><strong>2014<\/strong><\/p>\n<p>Guy Boyer. \u00ab\u00a0les Ateliers Inhabite\u0301s\u00a0\u00bb Connaissance des Arts.<br \/>\n<a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Guy_Boyer-les-Ateliers-Inhabit\u00e9s-Connaissance-des-Arts-2014.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Jim Lewis. \u00ab\u00a0Boxcars. Steidldangin. Traduction Franc\u0327aise Fre\u0301de\u0301rique Destribat<br \/>\n<a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Jim-Lewis-Boxcars-Steidldangin_Traduction-Fran\u00e7aise-Fr\u00e9d\u00e9rique-Destribats_2014.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Jim Lewis. \u00ab\u00a0Boxcars\u00a0\u00bb. Steidldangin.<br \/>\n<a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Jim-Lewis_Boxcars_Steidldangin_2014.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Liz Jobey. \u00ab\u00a0Portrait of the Artist as a Studio\u00a0\u00bb. Financial Times.<br \/>\n<a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Liz-Jobey_Portrait-of-the-Artist-as-a-Studio_Financial-Times_2014.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Sabrina Silamo. \u00ab\u00a0Rendez vous Atelier\u00a0\u00bb. Arts Magazine.<br \/>\n<a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Sabrina-Silamo_Rendez-vous-Atelier_Arts-Magazine_2014.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Soline Delos. \u00ab\u00a0Artistes en Prive\u0301\u00a0\u00bb. Elle De\u0301co.<br \/>\n<a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Soline-Delos_Artistes-en-Priv\u00e9_Elle_D\u00e9co_2014.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>L\u2019\u0153il de<br \/>\n<a href=\"http:\/\/loeilde.fr\/atelier-d-artistes\/\" target=\"_blank\">Website<\/a><\/p>\n<p>MIJLO | www.mijlo.com<br \/>\n<a href=\"http:\/\/blog.mijlo.com\/news\/atelier-gautier-deblonde\/\" target=\"_blank\">Website<\/a><\/p>\n<p>Wallpaper*<br \/>\n<a href=\"http:\/\/www.wallpaper.com\/art\/gautier-deblonde-captures-artists-inner-sanctums-in-new-book-atelier\/7881#103752\">Website<\/a><\/p>\n<p>AD<br \/>\n<a href=\"http:\/\/www.admagazine.fr\/art\/portfolio\/diaporama\/studios-dartistes\/6041#7\" target=\"_blank\">Website<\/a><\/p>\n<p>La voix du Nord<br \/>\n<a href=\"http:\/\/www.lavoixdunord.fr\/region\/le-photographe-marcquois-gautier-deblonde-dans-ia19b0n1643079\" target=\"_blank\">Website<\/a><\/p>\n<p>Connaissance des Arts<br \/>\n<a href=\"http:\/\/www.connaissancedesarts.com\/photo\/actus\/les-ateliers-inhabites-de-gautier-deblonde-107870.php\" target=\"_blank\">Website<\/a><\/p>\n<p>Monopol<br \/>\n<a href=\"http:\/\/www.monopol-magazin.de\/artikel\/20108961\/Gautier-Deblonde-Atelier.html\" target=\"_blank\">Website<\/a><\/p>\n<p>Amarello<br \/>\n<a href=\"http:\/\/www.amarello.com.br\/detalhe\/atelier\" target=\"_blank\">Website<\/a><\/p>\n<p>Journal Ventilo<br \/>\n<a href=\"http:\/\/www.journalventilo.fr\/loeuvre-photographiee-les-ateliers-dartiste-de-picasso-warhol\/\" target=\"_blank\">Website<\/a><\/p>\n<p>Journal Zibeline<br \/>\n<a href=\"http:\/\/www.journalzibeline.fr\/critique\/ateliers-en-plein-cours\" target=\"_blank\">Website<\/a><\/p>\n<p>Art for Breakfast<br \/>\n<a href=\"http:\/\/www.artforbreakfast.com\/gauthier-deblonde-alain-delorme-coup-de-coeur-de-l-art-concierge,488.php\" target=\"_blank\">Website<\/a><\/p>\n<p><strong>2007<\/strong><\/p>\n<p>Delphine Kwiczor. \u00ab\u00a0Nord Eclair\u00a0\u00bb<br \/> <a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Delphine-Kwiczor_Nord-Eclair_2007.jpg\" target=\"_blank\">View<\/a><\/p>\n<p>Joanna Kavenna. \u00ab\u00a0Not so Grim up North\u00a0\u00bb.The Telegraph Magazine<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Joanna-Kavenna._Not-so-Grim-up-North_The-Telegraph-Magazine_2007.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Lavinia Greenlaw. \u00ab\u00a0The Arctic\u00a0\u00bb. Granta.<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Lavinia-Greenlaw_The-Arctic_Granta_2007.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Les Lumie\u0300res de Svalbard. Monde2.<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Les_Lumi\u00e8res_de_Svalbard_Monde2_2007.pdf\" target=\"_blank\">View<\/a><\/p>\n<p><strong>2006<\/strong><\/p>\n<p>Gretel Elrich. \u00ab\u00a0The Future of Ice\u00a0\u00bb. Contemporary.<br \/> <a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Gretel-Elrich_The-Future-of-Ice_Contemporary_2006.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Liberation.<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Liberation_2006.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>ZDB. \u00ab\u00a0Nordpols Nachbar\u00a0\u00bb. Mare.<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/ZDB_Nordpols_Nachbar_Mare_2006.pdf\" target=\"_blank\">View<\/a><\/p>\n<p><strong>2002<\/strong><\/p>\n<p>Dave Calhoun. Dazed &amp; Confused.<br \/> <a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Dave-Calhoun_Dazed_Confused_2002.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Lynne Ramsay. \u00ab\u00a0Still Life\u00a0\u00bb. Tate Magazine.<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Lynne-Ramsay_Still-Life_tate_Magazine_2002.pdf\" target=\"_blank\">View<\/a><\/p>\n<p><strong>1999<\/strong><\/p>\n<p>\u00ab\u00a0Bombshell\u00a0\u00bb.Tatler.&nbsp;<br \/> <a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Bombshell_Tatler_1999.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Charlotte Mullins. \u00ab\u00a0The Sitter&rsquo;s Tale\u00a0\u00bb. The Independent on Sunday.&nbsp;<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Charlotte-Mullins-The-Sitters-Tale-The-Independent-on-Sunday-1999.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Mel Gooding. \u00ab\u00a0Images for a Book\u00a0\u00bb. Tate Publishing.&nbsp;<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Mel-Gooding-Images-for-a-Book-Tate-Publishing-1999.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Mel Gooding. \u00ab\u00a0The Art of Noise\u00a0\u00bb. The Independent Magazine.<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Mel-Gooding-The-Art-of-Noise-The-Independent-Magazine-1999.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Rachel Halliburton. \u00ab\u00a0It Only Takes a Minute\u00a0\u00bb. The Independent.&nbsp;<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Rachel-Halliburton-It-Only-Takes-a-Minute-The-Independent-1999.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Reuel Golden. \u00ab\u00a0Exposure\u00a0\u00bb. British Journal of Photography.<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Reuel-Golden-Exposure-British-Journal-of-Photography-1999.pdf\" target=\"_blank\">View<\/a><\/p>\n<p>Richard Cork. \u00ab\u00a0Artists&rsquo; Impressions\u00a0\u00bb. The Times.&nbsp;<br \/><a href=\"https:\/\/www.gautier-deblonde.com\/wp-content\/uploads\/2015\/07\/Richard-Cork-Artists-Impressions-The-Times-1999.pdf\" target=\"_blank\">View<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Essays &amp; Press 2015 Alain Weis. \u00ab\u00a0L&rsquo;Art de l&rsquo;Atelier\u00a0\u00bb. French. View Catherine Bruno, Ve\u0301ronique Sidoit-De\u0301ment. Refoulement Psychanalyse View Russian Esquire. View Artisticly Website Narthex Website 2014 Guy Boyer&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-1642","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gautier-deblonde.com\/index.php?rest_route=\/wp\/v2\/pages\/1642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gautier-deblonde.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gautier-deblonde.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gautier-deblonde.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gautier-deblonde.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1642"}],"version-history":[{"count":0,"href":"https:\/\/www.gautier-deblonde.com\/index.php?rest_route=\/wp\/v2\/pages\/1642\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.gautier-deblonde.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}